For 30 years, Foster has thrived as a songwriter, recording artist, live performer and producer. His songs—solo, with Foster and Lloyd and recorded by other artists—have topped the country, Americana, and AAA charts alike. At the same time, he’s earned the respect of his peers and a devoted audience as intent on listening as they are eager to dance.
Considered an elder statesman of Texas singer-songwriters, Foster has been a friend and mentor to many younger artists on the Texas scene. He’s written and produced songs for Randy Rogers, Jack Ingram, Kacey Musgraves, Wade Bowen, Josh Abbott, Pat Green, Cory Morrow and many others. His songs are regularly mined by superstar acts like Keith Urban (“Raining on Sunday,” “I’m In,”), Sara Evans (“Real Fine Place,” “Revival”) and the Dixie Chicks (“Godspeed”).“I’m always trying to find a little piece of the truth,” says Texas singer-songwriter Radney Foster. With his latest release,
Everything I Should Have Said
, the truth is laid bare. The collection opens with “Whose Heart You Wreck,” a stormy lament to a fickle muse and closes with the title track, an unflinching apology for things done and left undone.
The Lonely Heartstring Band
Nourished by deep roots in the expansive canon of traditional American music, The Lonely Heartstring Band embodies the modern American condition—an understanding and reverence for the past that informs a push into the future. This multi-talented group of musicians is a Bluegrass quintet insofar as they’re far greater than the sum of its parts, but unlike a traditional Bluegrass band, their music stretches far beyond any genre-specific title. Combining soulful instrumental virtuosity with soaring three-part harmonies, their growing repertoire of original songs and compositions showcases not only their considerable talents, but a dedication to meaningful roots-conscious music.
Since their beginnings in 2012, The Lonely Heartstring Band has been on the rise and shows no sign of slowing down. With their 2015 IBMA Momentum Award and the imminent release of their debut full-length album on the legendary Rounder Records label, there is every reason to believe that they are at the front edge of a significant career.
Already they have generated a devoted following of music-lovers across North America, performing and headlining at major music festivals and historic venues from Western Canada to California, from Kentucky to New Hampshire. Whether it’s a festival stage, theatre, or intimate listening room, The Lonely Heartstring Band always delivers a dynamic, diverse, and heartfelt performance. Over the last three years of touring, the band has crafted shows that generate a genuine connection and bring crowds to their feet.
The Campbell Brothers*
*Offered jointly with FLiArtists and Matt Greenhill | KCA Artists exclusively booking festivals
The Campbell Brothers present Sacred Steel: African-American gospel music with electric steel guitar and vocal. This tradition emerges from the House of God Keith Dominion Church, where for over sixty years it has been an integral part of worship and a vital, if little known, American tradition.
CHECK OUT THE CAMPBELL BROS. SACRED STEEL GOSPEL VERSION OF JOHN COLTRANE’S, “A LOVE SUPREME.” COMMISSIED BY LINCOLN CENTER FOR A LIMITED TIME.
As the music moves from sanctuary to concert hall — including the Hollywood Bowl, the Kennedy Center, Lincoln Center, SF Jazz, North Seat Jazz, Brooklyn Academy of Music and Symphony Space — secular audiences are now able to appreciate a performance both devoted and rocking.
Pedal steel guitarist Chuck Campbell (2004 National Heritage Fellowship recipient) and his lap steel-playing brother Darick are two of the finest in this tradition. Rounding out the band, which has been playing together for nearly two decades, is a high-energy rhythm section featuring brother Phil Campbell on electric guitar, his son Carlton on drums, and bassist Daric Bennett. Classic, gutsy gospel vocals by Denise Brown, Tiffany Godette and/or Joyce “Cinnamon” Brown bring the ensemble to a level of energy and expression that defies description.
The Campbell Brothers present a compelling, rich variety of material from the African-American Holiness-Pentecostal repertoire with a new twist: the growling, wailing, shouting, singing and swinging voice of the steel guitar, played as you have never heard it played before.